Showing posts with label creativity. Show all posts
Showing posts with label creativity. Show all posts

Tuesday, January 06, 2009

Recommended Reading: Education by Poetry

Robert Frost gave a talk he called "Education by Poetry" to students at Amherst College. He subsequently revised the talk which was then published, in February 1931, in the Amherst Graduates' Quarterly. In the talk, he refers extensively to metaphor. I often misremember the title of the essay as "Education by Metaphor". My favorite part of this essay is:

All metaphor breaks down somewhere. That is the beauty of it. It is touch and go with the metaphor, and until you have lived with it long enough you don’t know when it is going. You don’t know how much you can get out of it and when it will cease to yield. It is a very living thing. It is as life itself.

Each of us is capable of inventing metaphorical relationships of our own. Is a tree in summertime a piece of broccoli for a giant? If you think a tree is such a food, you could find words to express that. And so on.

Toward the end of his essay, Frost talks about four beliefs. It is much more difficult to invent a belief than it is to invent a metaphor. Careful use of metaphor; i.e., careful use of language, will help us to better understand our beliefs. As one seeks to better understand one's beliefs, one begins to see the importance of one's own attitude toward each thing held in one's thoughts. Does language serve me? Do I serve ideas I didn't invent?

During his career, Frost saw the rise of New Criticism. I often wonder what Frost thought of their insistence on the preeminence of the text and their deliberate turning away from any significance the biography of the poet might have. I don't know that he had any interest in it one way or another.

And when the so-called Confessional Poets began doing their thing, what did Frost make of that?

Into this soup of thoughts I'd like to throw the notion of intuition. In particular, the sense of what's possible. Each of us has a sense of what's possible. This sense grows as we continue growing. We have a sense of what's possible not only for our own lives but for the communities in which we participate. Our sense of what's possible will tell us when the community is enervated, just as someone familiar with metaphor will be able to tell when the metaphor breaks down.

I suspect, however, that a community participant who senses that the possibilities for her community are somehow limited is somehow unable to use language sufficiently well to share with others in her community her concerns and ideas regarding the future of the community. And if she is unable to communicate intelligently regarding such matters with people in her community, what will she be able to say about those limited possibilities to anyone outside her community? And so her anxiety grows.

I started out with the idea of recommending Frost's essay to readers. And I do make that recommendation. But now I want to bring in another line of thinking. Recently I listened to arguments by Ken Robinson for creativity in education. "What if," Mr. Robinson asks, "we regard creativity in education as highly as we regard literacy?" His remarks have been recorded and posted at YouTube.



The video runs about 8min 20sec. I thought it was easy to listen to.

So where am I going with all this? I am saying that it seems to me that the activity of meeting informally to read and discuss poems is a profoundly healthy and liberating activity. I will develop reasons and arguments for this but my sense of what's possible tells me there is an abundance of rich possibilities here. To organize such informal occasions around the birthdays of poets is to simply find one way of organizing.

Friday, December 19, 2008

Creativity: A Study

Jilly Dybka has once again faithfully updated her Poetry Hut blog with Fresh Poetry News Hand Picked Daily. This bit of news I want to share here as well:

[excerpt]
. . . A recent study, led by Harvard professor Wendy Berry Mendes, is the first to examine how biological predisposition and negative situations work in tandem to influence creativity, in fields such as art.
. . . She and her team then asked 96 participants to prepare a short speech designed to sell themselves in a mock-job interview setting. One group received a neutral response from a panel of reviewers, another got encouraging smiles and nods of approval and the third faced crossed arms, grimaces and furrowed brows.
Afterwards, the researchers asked the volunteers to create an artistic collage using a variety of craft supplies, and a panel of professional artists critiqued the results. With a remarkable degree of unanimity, the collages that earned the best reviews were those produced by people predisposed to dark moods who had received a nasty response in the mock interview.
. . . "We showed it's a combination of the person and the situation and that, ironically, it appears negative moods can have functions," Mendes says. "We have negative moods for a reason and they serve to make people more focused and in this case, more creative."

Read the full article at the Canadian News website where it was published December 16, 2008.

I'm not surprised by these research findings. I think it's reasonable and in agreement with the notion that life is 10% what happens to you and 90% how you respond to what happens to you.

In 2005, scientists at Stanford University School of Medicine found that
"Children Of Bipolar Parents Score Higher On Creativity Test".

In their book Manic Depression and Creativity, D.J. Hershman and J. Lieb report, among other things, that suffering is NOT essential to creativity. The same authors wrote about people who suffered from bipolar disorder and who nevertheless rose to political power: Napoleon, Hitler, Stalin. See their book A Brotherhood of Tyrants for the rest of the story.

Occasionally one hears of the National Institute for Mental Health as having reported that more than one-third (some sources say 38%) of Pulitzer Prize-winning poets have either had symptoms of or been diagnosed with bipolar disorder, as in this article at the Encyclopedia of Childhood and Adolescence. If anyone can find the actual reference made by the NIMH, I'd be ever so grateful.